![]() It is a valuable training exercise of which the practice is intended to contribute to developing the highest levels of jūdō technical ability. Conclusions: Katame-waza ura-no-kata is an exercise devised by the late jūdō master Itō Kazuo, which similarly to how katame-no-kata complements nage-no-kata, serves as a complement to nage-waza ura-no-kata. The objective of the kata is not to copy a supposed gold standard performance that then needs to be evaluated and scored by a jury, but to develop the ability of performing jūdō at the supra-mechanical level of myōwaza, irrespective of differences in minute technical details. Katame-waza ura-no-kata is a randori-no-kata form. Katame-waza ura-no-kata adheres to the same structure as katame-no-kata hence is divided in three series of five techniques each followed up by a counter-control technique. Mifune, in turn, drew his inspiration of the nige-waza and kaeshi-waza included in the kata likely from intellectual ideas of Takahashi Kazuyoshi and newaza techniques perfected primarily by Oda Jōin, Mifune himself and to a lesser extent possibly by Toku Sanbō, Kawakami Chū, and others. Results: Katame-waza ura-no-kata was finalized by Itō Kazuo (1898-1974) in June 1970 mainly based on techniques Itō had learned from his teacher Mifune Kyūzō. Material and Methods: To achieve this, we offer a careful critical analysis of the available literature and rare source material on this kata. ![]() Inoue Shōji held the rank of Kōdōkan 8th dan, and peacefully died in Kyōto on October 30th, 2018.īackground and Study Aim: The purpose of the present paper is to provide a comprehensive review of katame-waza ura-no-kata, a non-officially accepted kata of Kōdōkan jūdō made famous by the late Mifune Kyūzō, of which the date of creation has not been previously established, nor under what circumstances it was created or what its sources of inspiration were. Several video clips publicly available on YouTube remain as a lasting memory of his art. Irrespective of the quality of Inoue’s display, his approach offered a counterweight against the Kōdōkan’s historic reinvention and the IJF sports kata caricature. For most foreign jūdōka this was their first contact with Kitō-ryū. It was this performance that introduced him to the international jūdō community and brought him certain fame. Inoue’s supreme moment of glory likely was his public demonstration in 2013 at the occasion of the Fifth International Judo Federation (IJF) World Kata Judo Championships held in Kyōto. His enthusiasm was reflected in beginning to give public demonstrations at various events in Japan and becoming a representative of Kitō-ryū in the Nihon Kobudō Kyōkai. With Kōdōkan jūdō continuing to deteriorate into an ordinary sport and losing its core values and purpose, Inoue increasingly appreciated the traditional martial arts values preserved in Kitō-ryū jūjutsu. In a dōjō in the Yamashina-ku ward in Kyōto he taught both jūdō and a limited catalogue of Kitō-ryū that included exercises that were adopted into Kōdōkan jūdō under the name koshiki-no-kata. During his professional career as a prison guard he followed up on an offer to become a jūdō therapist. Later, he studied Kitō-ryū jūjutsu for some time with Odaka Shigeru. Inoue Shōji (1927-2018) was born in Tokushima prefecture, Japan. ![]() Professor Waterhouse's scholarly legacy is vast, showing a remarkable breadth in topics which he surveyed, investigated and mastered, but he was particularly proud of his magnum Consequently, his academic jūdō classes at the University of Toronto's Department of East Asian Studies attracted an enthusiastic crowd of students. ![]() as a form of pedagogy striving for both physical and intellectual development. David aptly understood and taught jūdō as it was meant by its founder, i.e. Professor Waterhouse would eventually join the University of Toronto, where he would spend the rest of his professional career as an educator and scholar. It is there where during his freshman year he had attended for first time a live jūdō demonstration, and had decided to start his jūdō career. Educated to concert pianist level, he graduated in Western Classics, Moral Sciences, and Oriental Studies from the University of Cambridge. Waterhouse (1936‐2017) was a Professor emeritus, Japanese studies scholar, and humanities polymath.
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